This past fortnight I’ve been working with some new inks which I’ve made from stiff linseed and coloured stains. Ultimately, we’d really like to be able to transfer multiple colours onto a ware and I’m experimenting to find the most reliable process for this. Of course, there will be many complications to consider - colour change through firing, different firing temperatures for each colour, image registration, tissue shrinkage, ink set off, drying time between colours etc. Not to mention the usual variables of ink mixing, plate making, printing and transferring! Yet I do like a challenge.
I began with 4 new inks - green, yellow, blue and black. Each were made by carefully weighing out and mixing the same ratio of each ingredient.
Using the 2 original copper plates (to limit any variables) I printed and transferred each individual colour onto a tile. I then continued to build up additional colour runs onto the tiles and used 3 different drying methods between transfers.
Once each tile had been hardened on in the kiln, I applied a glaze and put them back into the kiln for their final firing. I’m patiently waiting for the kiln to cool down enough so that I can open the door.....